Sometimes I Sit And Think, And Sometimes I Just Sit LP

Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnetts debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling voices in indie rock. These songs reveal not only an assured songwriter and guitar player, but also an artist who in just a few years has already proved highly influential.

Fuelled by the nimble crunch of her guitar and the loose groove of the rhythm section, Courtney Barnetts songs are wild and shaggy and wordy, her lyrics plainspoken and delivered like shes making them up on the spot. The music is rooted in the slack jangle of the late 1980s and the early 1990s, which has prompted the adjective slacker from journalists and critics around the world. That word is fitting for tunes that sound like they only just roused themselves out of bed. As a description of Barnetts work ethic and musical influence, however, slacker is all wrong.

Barnett and her bandwhich includes Dan Luscombe on guitar and the surprisingly nimble rhythm section of Bones Sloane on bass and Dave Mudie on drumsrecorded the album at Head Gap Studio in Melbourne during the fall of 2014. Wed start midday and work until quite early in the morning, she says. Of course, half the time is sitting around waiting for the engineer to get a mic into place or something like that. The band used the downtime to take these songs apart and put them back together again. Nothing was taken on faith; every note and every word was parsed.

Barnett took drastic measures to make sure every song came out as perfectly imperfect as possible. When Pedestrian At Best wasnt working out in the studio, she took the backing tracks home with her and listened to them over and over and over, trying to get the right words to come out of her mouth. I had some words on paper and a half-assed melody that I hated, she recalls. I rapped over it until I found something I was happy with. Its an embarrassing process, though, and the first time I sang that song was when I recorded it. I had to make everyone leave the room, because I felt really vulnerable.

Now that these songs are on record, she will not stop tweaking and perfecting them. The more she lives with themthe more she plays them out, the more fans react to themthe more alive they sound to her, often disclosing new meanings and direr implications. They keep revealing themselves, she says. They change from touring and recording. They morph and change form and can end up sounding completely different. I hope its like that forever.